Vicky Angelaki

Publications

Articles in journals
Articles, book reviews
Articles, reviews/surveys
Books
Chapters in books
Collections (editor)
Conference papers
Other

Articles in journals

Angelaki, V. (2022). Writing in the Green : Imperatives towards an Eco-n-temporary Theatre Canon. Journal of Contemporary Drama in English, vol. 10: 1, pp. 26-43.  

Angelaki, V. (2019). Performing Migration in Vienna: The Volkstheater Trilogy. Performing Ethos, vol. 9: 1, pp. 9-22.  

Angelaki, V. (2016). The (In)Human Condition : Animality in Simon Stephens’s Three Kingdoms. Sillages Critiques, vol. 20

Angelaki, V. (2016). The Space and Culture of Translation : Ferdinand Bruckner’s Pains of Youth by Martin Crimp and Katie Mitchell. Journal of Adaptation in Film and Performance, vol. 9: 1, pp. 67-82.  

Angelaki, V. (2015). From History to ‘Ourstories’ in Martin Crimp’s Metanarratives. Journal of Contemporary Drama in English, vol. 3: 1, pp. 142-155.  

Angelaki, V. (2015). (Up)Setting the Scene : Open Court as Staging and Spectating Intervention. Contemporary theatre review (Hardback), vol. 25: 4, pp. 472-487.  

Angelaki, V. (2014). Alles Weitere kennen Sie aus dem Kino : Martin Crimp at the Cutting Edge of Representation. Contemporary theatre review (Hardback), vol. 24: 3, pp. 315-330.  

Angelaki, V. (2014). Dealing with Martin Crimp. Contemporary theatre review (Hardback), vol. 24: 3, pp. 309-314.  

Angelaki, V. (2014). Introduction : Dealing with Martin Crimp. Contemporary theatre review (Hardback), vol. 24: 3, pp. 309-314.  

Angelaki, V. (2013). Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary Stage. Sillages Critiques, vol. 16

Angelaki, V. (2011). Martin Crimp and Border Crossing : The Australian Turn. Contemporary theatre review (Hardback),  

Angelaki, V. (2010). Lessons from Harold Pinter. Studies in Theatre & Performance, vol. 30: 3, pp. 267-273.  

Angelaki, V. (2006). The Private and the Public Wars : A Play by Martin Crimp. Platform, vol. 1: 1, pp. 32-41.

Articles, book reviews

Angelaki, V. (2020). Book review of : Carl Lavery, ed. Performance and Ecology: What Can Theatre Do? Abingdon: Routledge, 2018, xiv + 118 pp., £115 (hardback). Journal of Contemporary Drama in English, vol. 8: 2, pp. 313-317.  

Angelaki, V. (2016). Luc Bondy at the Wiener Festwochen. Contemporary theatre review (Hardback), vol. 23: 3  

Articles, reviews/surveys

Angelaki, V. (2020). Martin Crimp and Katie Mitchell Twenty Years On. Contemporary theatre review (Hardback), vol. 30: 2, pp. 293-295.  

Books

Angelaki, V. (2022). Martin Crimp’s Power Plays : Intertextuality, Sexuality, Desire. Abingdon : Routledge

Angelaki, V. (2019). Theatre & Environment. London : Macmillan Publishers Ltd.

Angelaki, V. (2017). Social and Political Theatre in 21st-Century Britain: Staging Crisis. London : Bloomsbury Academic

Angelaki, V. (2012). The Plays of Martin Crimp: Making Theatre Strange. Palgrave Macmillan  

Chapters in books

Angelaki, V. (2022). Creative Contexts and Crises of Care : Ella Hickson's The Writer. In Crisis, Representation and Resilience : Perspectives on Contemporary British Theatre. London : Bloomsbury Academic. pp. 39-53.

Angelaki, V. (2021). Adaptation and Environment : Landscape, Community and Politics in Henrik Ibsen’s Rosmersholm by Duncan Macmillan (2019). In The Oxford Handbook of Politics and Performance. Oxford University Press.

Angelaki, V. (2021). Adaptation and Environment: Landscape, Community, and Politics in Henrik Ibsen’s Rosmersholm by Duncan Macmillan (2019). In The Oxford Handbook of Politics and Performance. Oxford : Oxford University Press. pp. 437-450.

Angelaki, V. (2014). Witness or Accomplice? Unsafe Spectatorship in the Work of Anthony Neilson and Simon Stephens. In Ethical Speculations in Contemporary British Theatre. Palgrave Macmillan. pp. 135-151.

Angelaki, V. (2013). Introduction. In Contemporary British Theatre : Breaking New Ground. Palgrave Macmillan.  

Angelaki, V. (2013). Politics for the Middle Classes : Contemporary Audiences and the Violence of Now. In Contemporary British Theatre : Breaking New Ground. Palgrave Macmillan. pp. 57-78.  

Angelaki, V. (2010). Ethics Take Centre Stage : Issues and Representation for Today’s Political Theatre. In Ethical Encounters: Boundaries of Theatre, Performance and Philosophy. Cambridge Scholars Publishing. pp. 199-207.

Angelaki, V. (2010). Grenzen hinausschieben, Zuschauer herausfordern : Zur Rezeption Howard Barkers. In Weltbühne Wien/World Stage Vienna : Die Rezeption Anglophoner Dramen auf Wiener Bühnen des 20. Jahrhunderts. Wissenschaftlicher Verlag Trier. pp. 297-311.

Angelaki, V. (2009). Breaking Down Barriers High and Low : The Case of the UK’s National Theatre. In High Culture and/versus Popular Culture. Universitätsverlag Winter. pp. 85-93.

Angelaki, V. (2008). Subtractive Forms and Composite Contents : Martin Crimp’s Fewer Emergencies. In Contemporary Drama in English 15.. Wissenschaftlicher Verlag Trier. pp. 31-46.

Angelaki, V. (2008). Taking a Bite of the Big Apple : Martin Crimp’s The Treatment. In Hunger on the Stage. Cambridge Scholars Publishing. pp. 257-267.

Angelaki, V. (2007). Performing Phenomenology : The Theatre of Martin Crimp. In Theatres of Thought. Cambridge Scholars Publishing. pp. 6-12.

Angelaki, V. (2007). Structuring Consciousness through Objects : Fluctuating Roles and Selves in Crimp, Pinter and Ionesco. In Consciousness, Theatre, Literature and the Arts. Cambridge Scholars Publishing. pp. 126-133.

Collections (editor)

Angelaki, V. (ed.) (2013). Contemporary British Theatre: Breaking New Ground. Palgrave Macmillan  

Conference papers

Angelaki, V. (2022). Engagements with Landscape in Contemporary British Theatre. Paper presented at the Reprising Romanticism: Romantic Re-Creations in Contemporary British Theatre (1980-2020), Parma, Italy, May 10, 2022.

Angelaki, V. (2022). The Pandemic and the Anthropocene. Paper presented at the Viral Theatres: Pandemic Past / Hybrid Futures, Berlin, Germany, [DIGITAL], April 28-30, 2022.

Angelaki, V. (2021). Corroded Landscapes, Eroded Communities. Paper presented at the Crisis, Dying, Apocalypse: Subjectivity, Progress and Ecology in the Light of the Anthropocene, Stockholm/Digital, August 26, 2021.

Angelaki, V. (2021). Disturbing the Binary : Country, City and Environmental Concerns in Contemporary British Theatre. Paper presented at the THEATRE AND DRAMA NETWORK (TDN) HISTORY AND MEMORY CONFERENCE, [DIGITAL], December 3-4, 2021.

Angelaki, V. (2021). Dystopian Place in Contemporary British Theatre : Disruptive Spatial Re-presentations. Paper presented at the Dystopian/Utopian Theatre in Britain after 2000 and Its Political Spaces conference, Centre for Interdisciplinary Research, University of Bielefeld,Bielefeld, Germany, March 11-13, 2021.

Angelaki, V. (2021). “Iterations of Authorship in Martin Crimp’s Theatre: Complex Acts of Storytelling”. Paper presented at the Theatre and the Novel: Stories, Practices and Cultural Models of the European Scene between the 20th and the 21st Century conference, University of Rome “La Sapienza”, Rome, Italy, May 27-28, 2021.

Angelaki, V. (2021). Redefining Presence and Absence in COVID Times : Performance, Community, Cohesion. Paper presented at the Political Literatures, Mid Sweden University, June 16, 2021.

Angelaki, V. (2021). Writing in the Green : Imperatives towards an Eco-n-temporary Theatre Canon. Paper presented at the Critical Theatre Ecologies (CDE 2021), Augsburg University, Augsburg, Germany, [DIGITAL], June 3–6, 2021.

Angelaki, V. (2020). Ella Hickson and the 21st-Century Female Body Electric. Paper presented at the The New Wave of British Women Playwrights conference, Sorbonne University, Sorbonne, France, [DIGITAL], December 11-12, 2020.

Angelaki, V. (2020). Rooms of Our Own : Pandemics, Solitudes, Collectivities. Paper presented at the Political Literatures, Mid Sweden University, [DIGITAL], June 16, 2020.

Other

Angelaki, V. (2022). Explore the Theme of Climate Crisis in Theatre. London : Drama Online..

Angelaki, V. (2021). Reflections on a recent call for papers (Critical Stages Co-Edited Volume), a research grant (RJ Sabbatical award), and applied environmental adaptations..

Angelaki, V. (2020). Contemporary British Drama and Society : Beyond Neoliberalism.