Charlotta Palmstierna Einarsson
Universitetslektor|Senior Lecturer
- Tjänstetitel: Universitetslektor
- Akademisk titel: Filosofie Doktor
- Annan titel: Docent
- Telefon arbete: +46 (0)10-1428039
- E-postadress: charlotta.palmstiernaeinarsson@miun.se
- Rumsnummer: M 425
- Ort: Sundsvall
- Engelska
- Litteraturvetenskap
-
Anställd inom ämnet:
About
Charlotta Palmstierna Einarsson is a lecturer in English literature at the Department of Humanities and Social Sciences, Mid-Sweden University.
Her research addresses questions of embodied cognition and the multifarious ways in which the body emerges to be perceived as meaningful in works of literature, drama and art, whether as effects produced or as the means to produce them.
Charlotta is the author of A Theatre of Affect: The Corporeal Turn in Samuel Beckett's Drama (ibidem 2017)
Bakgrund
In 2012 Charlotta Palmstierna Einarsson received her PhD from Stockholm University for her thesis 'Mis-Movements: The Aesthetics of Gesture in Samuel Beckett’s Drama'. Charlotta also has a degree in professional dance from the Ballet Academy, Stockholm, and a degree in dance pedagogy, with a specialty in classical ballet, from the University College of Dance, Stockholm.
Forskningsområden
Charlotta's research interests include modernist literature, drama and dance studies, aesthetics, reception theory, phenomenology, memory studies and affect theory.
ORCID: orcid.org/0000-0002-0918-899X
ACADEMIA: https://miun.academia.edu/CharlottaPalmstiernaEinarsson
Övrigt
Forthcoming conference
"What Remains: Literature and Ethics in a Time of Crisis"
Stockholm, 20-22 August 2024; deadline for applications: 16 February 2024
Confirmed Keynote Speakers:
Hanna Meretoja (University of Turku)
James Phelan (Project Narrative, Ohio State University)
Applications:
Please send an abstract of 200-300 words with a short biographical note (50 words) to whatremains2024@gmail.com by 16 February 2024. Papers should not exceed 20 minutes. Please submit your proposal in Word-format.
Important Dates:
Abstract submission deadline: 16 February 2024
Notification of results: 15 March 2024
Registration: 15 March 2024 - 15 June 2024
Conference dates: 20-22 August 2024
Practical Information:
The conference is organized by Mid Sweden University, Stockholm University, Károli Gáspár University, and KU Leuven. The conference will take place at the Stockholm Waterfront Congress Centre in the center of Stockholm, which is easily accessible by road, rail, and air. Registration will include coffee breaks, lunches, and one conference dinner. Fees apply. We are currently in the process of securing extra funding to keep fees as low as possible.
Organizers:
Charlotta Palmstierna Einarsson (Mid Sweden University)
Marina Kohnen Ludwigs (Stockholm University)
Anita Rákóczy (Károli Gáspár University)
Pieter Vermeulen (KU Leuven)
Joakim Wrethed (Stockholm University)
Questions:
Please direct all queries to whatremains2024@gmail.com.
The event is funded by RJ.
Extra kontaktinformation
Mobil 0708-311140
Publikationer
Artiklar i tidskrifter
Artiklar, recensioner
Böcker
Doktorsavhandlingar
Kapitel i böcker, del av antologier
Konferensbidrag
Artiklar i tidskrifter
Einarsson, C. P. (2019). Emancipatory Aesthetics in Beckett's Theatre of Affect. Samuel Beckett Today/Aujourd'hui, vol. 31: 2, ss. 295-306.
Palmstierna Einarsson, C. (2014). ‘You look behind you as you could not then’: : Embodied Cognition and Linguistic Confusion in Beckett’s “Heard in the Dark I”. Nordic Journal of English Studies, vol. 13: 2, ss. 168-183.
Palmstierna Einarsson, C. (2011). Beckett and abstraction. Sophia Philosophical Review, Special Issue Beckett/Philosophy, vol. 5: 1, ss. 251-264.
Artiklar, recensioner
Palmstierna Einarsson, C. (2017). Beckett's Waiting for Godot, directed by Pontus Stenshäll. Journal of Beckett Studies, vol. 26: 1, ss. 158-163.
Palmstierna Einarsson, C. (2015). Catherine Laws, Headaches Among the Overtones: Music in Beckett/Beckett in Music : Amsterdam: Rodopi, 2013. Journal of Beckett Studies, vol. 24: 2, ss. 290-294.
Böcker
Palmstierna Einarsson, C. (2017). A theatre of affect : the corporeal turn in Samuel Beckett's drama. Stuttgart : Ibidem-Verlag (Samuel Beckett in Company 3).
Doktorsavhandlingar
Palmstierna Einarsson, C. (2012). Mis-Movements : The Aesthetics of Gesture in Samuel Beckett's Drama. Diss. Stockholm : Department of English, Stockholm University, 2012
Kapitel i böcker, del av antologier
Palmstierna Einarsson, C. (2021). Beckett in Sweden Then and Now : (Re)Translating Waiting for Godot.
I
Translating Samuel Beckett around the World. Cham : Springer Nature (New Interpretations of Beckett in the Twenty-First Century). S. 19-40.
Palmstierna Einarsson, C. (2020). Unformed and untranslatable : The global applicability of Beckett’s theatre of affect.
I
Samuel Beckett as World Literature. London : Bloomsbury Academic. S. 59-70.
Palmstierna Einarsson, C. (2009). Movement as text, text as movement : the choreographic writing of Samuel Beckett. I Liminal borderlands in Irish literature and culture. Oxford : Peter Lang Publishing Group (Reimagining Ireland). S. 87-102.
Palmstierna Einarsson, C. (2009). The significance of mis-movements in Samuel Beckett's Endgame. I Lectures de Endgame, Fin de partie de Samuel Beckett. Rennes : Presses Universitaires de Rennes (Collection Didact anglais). S. 105-122.
Palmstierna Einarsson, C. (2008). Voice as self/not self in two of Beckett's short plays. I Beckett : écrans de silence = Beckett : screens of silence. Compostela Group of Universities (European issues). S. 145-153.
Konferensbidrag
Palmstierna Einarsson, C. (2021). 'A Community of Speakers –– Embodied Interaction, Attunement and the Ethics of Interpretation'. I ETHER – Ethics and Aesthetics for Encountering the Other : ETHER (Ethics and Aesthetics of Encountering the Other), an international AHRC research network, is a research partnership of the University of Leeds, the University of Stirling, Opera North, and Leeds Museums and Galleries..
Palmstierna Einarsson, C. (2019). Modernism and Kinaesthesia : The Use of the Body in Modernist Art. Paper presented at the The Uses of Aesthetics, Karlstads Universitet, 12-14 september 2019
Palmstierna Einarsson, C. & Dellming, E. (2019). On the uses of literature, or, why would anyone want a degree in literature. Paper presented at the English in Transformation, The Swedish Society for the Study of English, 10-12 april 2019, Malmö
Palmstierna Einarsson, C. & Dellming, E. (2019). Teaching literature takes time : how the slow study of literature can be epistemically rewarding. I LDN2019 : Litteraturstudiers samhällsrelevans.. S. 38--38.
Palmstierna Einarsson, C. (2017). Drama as Desacralized Ritual : The Case of Waiting for Godot. Paper presented at the GASC2017, Generative Anthropology Society Conference, 8-10 juni 2017, Stockholms Universitet
Palmstierna Einarsson, C. & Dellming, E. (2017). Experiencing Literature : Towards A Third Space. Paper presented at the Litteraturstudiers betydelse för språkutbildning: litteraturdidaktiska perspektiv för ungdomsskola och högskola, 6-7 oktober 2017, Jönköping
Palmstierna Einarsson, C. & Dellming, E. (2017). Rethinking the Role of The Teacher and the Purpose of Studying Literature. Paper presented at the English across borders: Celebrating the diversity of the English language,27-28 april 2017, Jönköping, National Forum for English Studies
Palmstierna Einarsson, C. (2016). Beckett in Sweden : Waiting for Godot (1990–2015). Paper presented at the Presenting the Theatrical Past, IFTR 2016, Samuel Beckett Working Group, International Federation for Theatre Research, June 13-17 2016, Stockholm University
Palmstierna Einarsson, C. (2014). “Concealment is vulgar” : Isadora Duncan’s unveiling of the body. Paper presented at the Objects of Modernity, Birmingham University, 23–24 June, 2014.